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05.26.2019
On WCVB CityLine: Ashleigh Gordon-Castle of Our Skins
Castle of Our Skins is a concert and educational series dedicated to celebrating Black artistry through music. Ashleigh Gordon, artistic director and violist, highlights the organization’s work to recognize unsung and celebrated figures in the arts both past and present.
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05.10.2019
On WGBH: Longtime Leader Of Roxbury Nonprofit Announces Departure
Jeanne Pinado can barely drive a mile from her office near Roxbury’s Dudley Square without passing a building whose construction or renovation she has overseen during her two decades directing the Madison Park Development Corporation.”And that’s another building we own,” Pinado said, pointing to a 43-unit apartment building on a recent driving tour of the organization’s real estate. Pinado easily spouted details and dates behind several other developments, including the Tropical Foods supermarket on Melnea Cass Boulevard, the Smith House apartments for the elderly on Shawmut Avenue and the Daily Table grocery store on Washington Street. Each was built or modernized on her watch.
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04.05.2019
In the Boston Herald: Martin Luther King Jr.’s legacy lives on
On April 10, more than 200 are expected to attend the 14th anniversary of the Cape Verdean-Jewish seder (capeverdeanjewishseder.com) at Hibernian Hall. Seders that reach out to include other faiths and nationalities always remind me of the many important contributions made by the Jewish community in support of the civil rights movement. They were foot soldiers whether marching beside Dr. King, wielding influence, contributing funds to the effort or encouraging their young people to actively participate on the Freedom Rides to register black voters, walk picket lines and speak out against racism.
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04.04.2019
In DigBoston: BOSTON’S ‘RADICAL BLACK GIRL’ BUILDS ARTISTIC PLATFORMS WHERE THEY DIDN’T EXIST
The young women from Youth Options Unlimited had never performed, let alone danced, in front of a crowd before. Yet they found themselves at Hibernian Hall in Roxbury, set to perform a number built on their experiences living in Boston.For the previous five days the young women had practiced their performance in collaboration with a traveling research residency called “My City, My Body: or if Concrete Could Talk, or for those that might be traumatized.”